Neumann KM 184 Stereo Set Nickel

Availability: 1 in stock

Order now, and this can be delivered by: Monday, December 06

SKU
416220
  • Cardioid pickup pattern without off-axis coloration
  • Very low self-noise
  • High SPL capability
  • Transformerless electronics
  • Octo Set with 8 microphones available
Our price £1,050.00 £875.00
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Neumann KM 184 Stereo Set Nickel


The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. It’s very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

 

Faithful

While many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in.

 

The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hyper cardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analogue and digital output stages).

 

Cardioid

Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 184’s frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

 

Applications

The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behaviour, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.

 

Key Features:

  • Uniform cardioid pattern without off-axis coloration
  • Linear frequency response with a slight treble lift
  • Very low self-noise (13 dB-A)
  • Low impedance output for long cable runs without transmission losses
  • Transformerless circuitry
  • Compact size, visually unobtrusive
More Information
Specifications

Acoustical operating principle: Pressure gradient transducer

Directional Pattern: Cardioid

Frequency Range: 20 Hz ... 20 kHz

Sensitivity at 1 kHz into 1 kohm: 15 mV/Pa ± 1 dB

Rated Impedance: 50 ohms

Rated load impedance: 1 kohms

Equivalent noise level, CCIR: 22 dB

Equivalent noise level, A-weighted: 13 dB-A

Maximum SPL for THD 0.5%: 138 dB

Signal-to-noise ratio, CCIR (re. 94 dB SPL): 72 dB

Signal-to-noise ratio, A-weighted (re. 94 dB SPL): 81 dB

Maximum output voltage: 10 dBu

Supply voltage (P48, IEC 61938): 48 V ± 4 V

Current consumption (P48, IEC 61938): 3.2 mA

Matching connector: XLR 3 F

Weight: approx. 80g

Diameter: 22mm

Length: 107mm