Avid HD Omni

Availability: Discontinued

SKU
373040
  • Avid HD Omni, capture high-quality sound - with complete transparency and clarity - through two premium mic/DI preamps and four-line inputs.
  • Plus, thanks to state-of-the-art A/D and D/A conversion, every sonic detail and nuance of your original sources can be heard.
  • With switchable input and output metering conveniently displayed on the front panel, you can easily see what's hot, what's not, and make the necessary adjustments to achieve optimal levels.
  • Easily let the person you're recording, hear what they're recording, without the need for a separate feed and headphone amp.
Our price £2,380.00

Inc VAT

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Avid HD Omni


Get incredible sound

Capture high-quality sound—with complete transparency and clarity—through two premium mic/DI preamps and four-line inputs. Plus, thanks to state-of-the-art A/D and D/A conversion, every sonic detail and nuance of your original sources can be heard.

 

Watch your levels

With switchable input and output metering conveniently displayed on the front panel, you can easily see what's hot, what's not, and make the necessary adjustments to achieve optimal levels.

 

Cue the mix

Easily let the person you're recording, hear what they're recording—without the need for a separate feed and headphone amp. Simply press the Cue button to bounce between adjusting the headphone cue mix to the control room mix—and back again—all right in their headphones.

 

Connect your gear

In addition to the inputs in front, you've got a variety of analogue and digital I/O in the back to connect everything from additional mics and instruments, to outboard hardware processors, speakers, and digital mixing consoles.

 

Hear what you've been missing

Achieve pristine-quality sound and clarity—without the bulk or expense. Pro Tools | HD OMNI is an all-in-one preamp, I/O, and monitoring interface designed for Pro Tools | HD systems that enable you to capture every detail and nuance of a performance. Capture high-resolution audio through premium mic preamps. Connect gear to a wide array of analogue and digital I/O. And monitor sessions in up to 7.1 surrounds, all from a compact interface that takes up just one single rack space. Plus, with its new lower price, getting great sound is even easier than ever.

 

Listen your way

Choose how you want to listen... Hear mixes in stereo or surround. Monitor through speakers or your cans. Create a personal mix for performers while listening to your own. Compare a mix on different speaker sets. And if you don't feel like launching Pro Tools, HD OMNI also functions as a persistent mixer, so you can monitor a keyboard, drum machine, or music player independently from your recording setup.

 

Track, mix and monitor in one

With HD OMNI, you can do it all with a single rack space interface, whether you make music or create sound for pictures. Capture high-quality instrument and vocal performances (with 4x8 analogue or 8x8 digital support). Record overdubs, or track ADR and Foley for a soundtrack. Provide cue mixes for artists. Hear your own discrete mix. Monitor in stereo or up to 7.1 surrounds right from the front panel. And because there’s no need to route signals across multiple interfaces, you save both time and money.

 

Optimize your sound

Connect your digital gear without the hassle, with built-in sample rate conversion offered on all digital inputs. Maximize your analogue input signals, without any harsh clipping, with the soft clip feature. Plus, you'll be able to track hotter signals and smooth out inconsistent levels from incoming sources.

 

System Requirements

Pro Tools | HDX or Pro Tools | HD Native system

Specification
Specifications

HD Omni Specifications

  • Analogue Inputs: 4
  • Analogue Outputs: 8
  • Mic / Instrument Inputs: 4 (2 simultaneous inputs at a time)
  • Mic Pre Gain: 65 dB
  • Headphone Output: 1
  • Monitoring Formats: 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
  • Speaker Selection: 2 sets
  • Persistent Mixer: 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration
  • AES/EBU I/O: 2 + 8
  • AES Single-Wire (192 kHz): Yes
  • S/PDIF I/O: 2
  • ADAT I/O: 8
  • S/MUX: S/MUX II and IV
  • SRC: S/PDIF I/O
  • Word Clock I/O: 1 In + 1 Out
  • Loop Sync I/O: 1 In + 1 Out
  • Curv: Yes
  • Soft Clip: Yes
  • Digital Interface: DigiLink Mini
  • Chassis: 1U rack-mountable chassis

 

Mic Inputs

  • Frequency Response: 20 Hz – 20 kHz (± .05 dB)
  • Gain Range: 65 dB
  • EIN: -128 dB
  • THD+N: -107 dB (0.00045%)
  • CMRR: -93 dB

 

Line Inputs

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 118 dB (A-weighted)
  • THD+N: -111 dB (0.00028%)

 

Line Outputs

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 120 dB (A-weighted)
  • THD+N: -108 dB (0.00039%)
  • Line Output Level / Trim: +10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps)

 

Headphone Outputs

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 118 dB (A-weighted)
  • THD+N: -107 dB (0.00045%)