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Studiospares PM150 Personal Monitoring System
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Studiospares PM150 Personal Monitoring System

Product Code: 250270
3/5

The Studiospares PM150 is a personal monitoring system that offers clear and dynamic monitoring during performances - whether it be in a live or studio environment.

£120.00 (INC VAT)
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Studiospares PM150 Personal Monitor


The Studiospares PM150 is a personal monitoring system that offers clear and dynamic monitoring during performances - whether it be in a live or studio environment.

 

The PM150 has a vast range of applications such as a stage monitor solution for acoustic singer-songwriters, musicians, DJs, orchestras, comperes, conference speaking and presentations, to name a few examples.

 

“A compact and convenient way of letting vocalists hear themselves on stage, without breaking the bank.” - Paul White - Editor in Chief - Sound On Sound.

 

 

Inputs
The PM150 features 2 Combi XLR/Jack inputs for microphones, line-level and high impedance instruments - resulting in unlimited applications and making the PM150 perfect for providing personal monitoring in any situation.
 
Power and Response 
The PM150 features 48v phantom power for the use of condenser microphones, allowing for an unlimited amount of applications and choice of microphone for whatever the application requires. A 5-inch woofer in the PM150 produces a frequency response from 80Hz to 14kHz and produces a considerable 125W RMS, providing you with a good amount of headroom so you can achieve the right amount of volume for whatever situation you find yourself. 
 
Dialling in your sound
The PM150 features a versatile 3x band parametric EQ, perfect so you can dial in and tweak the ideal tone during your performance, without having to settle for a sound previously determined in a soundcheck situation. In addition, the PM150 has an adjustable echo/reverb perimeter, which is perfect for adding some character to the input sound instead of having a completely dry input.
 
Versatility
The PM150 also has a stereo phono input for local playback of MP3 devices such as iPods, iPads or CD players - ideal, for example, in the application of backing tracks for solo performers in a live setting. 
 
Total Control

The PM150 features a balanced thru output that sends the signal directly to the desk. An excellent feature that takes you away from the traditional application that the monitoring sound is in the hands of the front of house or monitoring engineer. 
 
The PM150 allows you to be in complete control of your monitor sound. A prime example of which being that the PM150 would be the ideal choice for travelling acoustic singer-songwriters. Essentially, you could arrive at any gig armed with the PM150 and your microphone and instrument choice. Set up into the PM150 and then use the thru output to send your desired monitor mix to the venue mixer and PA. then throughout the gig, mix yourself to how you want to be conveyed through the PA, allowing you ultimate control over the sound. 

 

Mounting options
With the included stand accessories, the PM150 can be mounted onto the centre part of a compatible boom microphone stand or even onto a separate microphone stand, making the PM150 extremely versatile in any given situation.

 

*Please note the PM150 does not come with the short boom arm or stand.

Mixer Mono Inputs: 2 'Combo' Mic/Line inputs
Mixer Stereo Inputs: 1 Stereo Phono/Mini Jack input
Mixer Outputs: 1 Mono 'Thru' output for connecting to main PA, or more systems
Speaker Response: 80Hz - 14kHz
Speaker Format: 1-Way
Speaker Woofer: 5" Driver
Speaker Power (Peak): 150 Watts @ 6 Ohms
Speaker Power (RMS): 125 Watts @ 6 Ohms
Speaker Mounting: Microphone Stand
Power Voltage: 100V - 240VAC
Power Consumption: 180 Watts
Physical Height: 230mm
Physical Width: 345mm
Physical Depth: 300mm
Physical Weight: 2.8kg
Customer Reviews
  • Verified Customer
    on 22 March 2019
    The PM150 is handy, lightweight and powerful, but there are some limitations. The response from the speaker is a bit peaky, which may be intentional since it helps vocals to cut through general stage noise, but it doesn't sound too good on its own. The eq controls can to some extent smooth the response, but I find the mid needs to be backed off to 9 o'clock, with treble and bass both around 2 o'clock, to match the response of my main speakers. There's a lot of interaction between the eq controls, so experiment is required.

    The other issue for me is mounting. The mounting socket underneath, which fits a supplied stand adaptor, makes the PM150 point upwards towards the vocalist; but if you then mount the supplied short pole on top with a boom stand, as suggested, the whole arrangement is unbalanced and awkward - largely because the top pole leans backwards with the monitor. I'm using the monitor on a separate stand for this reason. Also, it would be helpful if there were an adaptor so that the monitor could be mounted at head height or above on a 25mm or 35mm speaker stand, and pointing horizontally rather than upwards. It would make it much easier to use as a small-room PA speaker.

    In summary: does what it says on the tin, at a good price, but needs some effort to get the best out of it.