Skip to content

Focusrite Saffire Pro 24

The Focusrite Saffire PRO 24 is the latest in Focusrite’s new generation of FireWire audio interfaces...

Product Code: 389690

£217.38 ex VAT

£217.38

£217.38

Sorry Out Of Stock -
Call 0844 375 5000 for details


Multiple-Buy Savings

2+ items just £204.00 each ( inc VAT)



The Focusrite Saffire PRO 24 is the latest in Focusrite’s new generation of FireWire audio interfaces.

Total inputs: 16 (4 analogue, 2 SPDIF, 8 ADAT, 2 'loopback' software routing)
Total outputs: 8 (6 analogue, 1 stereo headphone)

With two Focusrite pre-amps, mix control software and FireWire interfacing technology to deliver seamless integration, excellent routing flexibility and driver stability.

Alongside the two Focusrite pre-amps are a host of I/O options; two additional analogue inputs, six analogue outputs, ADAT inputs (for expanding the interface with, for example, Focusrite’s OctoPre), stereo SPDIF I/O and 2 virtual ‘loopback’ inputs for routing digital audio between software applications - ideal for capturing online audio. Front panel 5-LED metering for each analogue input offers detailed viewing of levels.

The zero-latency 18 x 8 DSP Mixer/Router software provided with Saffire PRO 24 features flexible output routing and monitoring, as well as one-click set-up solutions designed to help you track, monitor and mix as quickly as possible. Focusrite Plug-in Suite included. Gating and EQ VST/AU plug-ins. Focusrite’s established Xcite+ bundle is also included. The bundle features Ableton Live Lite, Novation’s Bass Station soft synth and over 1 gig of royalty-free samples.

Features:
• Two High Quality Award-winning Focusrite Pre-amps
The best sounding interface in its class. Focusrite's unparalleled pre-amp legacy forms the foundation of this new interface, with two award-winning Focusrite pre-amps.
• High Quality 24-bit/96kHz FireWire Interface
Features high quality A-D / D-A conversion and JetPLL™ jitter elimination technology; pristine audio quality and reliable synchronisation are guaranteed.
• Total I/O Count of 16 Inputs and 8 Outputs
A host of I/O options are provided*, including a unique loop-back facility for routing audio between software applications via Saffire Mix Control.
• Saffire Mix Control Zero-latency DSP Mixer/Router
Routing flexibility and intuitive one-click set-up solutions; Saffire Mix Control provides an 18 x 8 DSP mixer with excellent output routing and monitoring capabilities.
• Xcite+ Software Bundle
Featuring a host of royalty-free loops and samples, a full-fledged soft-synth and Ableton Live 7 Lite, providing an affordable upgrade path to Ableton Live.
• Focusrite VST/AU Plug-in Suite, for use in the mix
Upgrade your standard sequencer effects and bring a touch of class to your session with all- new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins.
• Front panel 5-LED metering
LED metering for each of the analogue inputs offers detailed viewing of levels direct from the front fascia.
• Dedicated front-panel headphone bus
Providing a fully customised monitor mix, with tactile level control available on the front panel.
  • Soundcard Type:Firewire
  • MIDI I/O:YES
  • No. Analogue Inputs:4
  • No. Analogue Outputs:6
PERFORMANCE

Microphone Inputs

• Dynamic Range (A-Weighted): 106dB
• SNR (A-weighted): -105.3dB
• Frequency Response: 20Hz - 20kHz +/- 0.1 dB
• THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)
• Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)
• Maximum level (A-weighted): 8.6dBu at 1%

Line Inputs

• Dynamic Range (A-Weighted): 106.5dB
• SNR (A-weighted): -106dB
• Frequency Response: 20Hz - 20kHz +/- 0.1dB
• THD+N (A-Weighted): < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
• Noise: -90dBu (22Hz/22kHz bandpass filter)
• Maximum level (A-weighted): 16.3dBu at 1%

Instrument Inputs

• Frequency Response 20Hz-20KHz +/- 0.1dB
• Maximum Input Level min gain no pad +8dBu
• Maximum Input Level max gain no pad -42dBu
• THD+N, -1dBFS, min gain, no pad < 0.0015%
• SNR 105dB "A"
• DNR 105dB "A"
• Input Impedance > 1MOhm
• X-talk < -100dB
• Adjustable Gain > 50dB
• Pad Attenuation 10dB

Headphone Outputs

• Frequency Response 20Hz-20KHz +/- 0.1dB
• SNR 105dB "A"
• DNR 105dB "A"
• Maximum Output into 32R +12.4dBu (+10.2dBV)
• Power into 32R 250mW
• Output Impedance < 7Ohms
• Load Impedance > 24Ohms

Line level Outputs

• Dynamic Range (A-Weighted): 105dB
• SNR (A-weighted): -104.5dB
• THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
• Maximum level (A-weighted): 16.13dBu at 0.885%

Additional Conversion Performance

• Clock jitter < 250 picoseconds
• THD+N AMPL (A-weighted)= -107dBFS


CONNECTIVITY

Analogue Channel Inputs (Inputs 1-4)
• 2 x XLR Mic/Line Neutrik Combi-Jacks (Inputs 1-2)
• 2 x XLR Instrument Neutrik Combi-Jacks (Instrument on inputs 1 and 2 only)

Automatic switch of Mic / Line (inserting a jack switches from Mic to either Line or Instrument (instrument selected via the software control panel)

Line inputs 3-4 have low and high gain settings can be controlled from the Saffire MixControl software (low gain being the default)

Digital Channel Inputs (Inputs 5-14) 44.1-96kHz
• Stereo S/PDIF input on RCA
• 1 x 8 channel ADAT input on Optical Connector (SDPIF 3&4 set in preferences menu)

Analogue Audio Outputs (Outputs 1-6)
6 x TRS analogue outputs (Outputs 1-6)
1 x TRS stereo headphone output (headphone mix 1 same as outputs 3 & 4)

Digital Channel Outputs (Outputs 7-8) 44.1-96kHz
• Stereo S/PDIF output on RCA

Other I/O
• 1 x 6-pin Firewire socket
• 2 Standard 5-pin DIN MIDI connectors: In and Out
• 12V DC power input connector for use with external PSU

Weight and Dims
• 2kg
• 215mm / 8.5" (W) x 45mm / 1.8" (H) x 220mm / 8.65" (D)

SYSTEM REQUIREMENTS

WINDOWS

Operating System
Windows Vista (All Versions) or Windows XP SP2 or higher (All
Versions)

Computer
Windows compatible computer with FireWire 400 port.

CPU/Clock
Pentium or AMD with 1 GHz or higher (Dual 1 GHz or better
recommended)

Memory (RAM)
512 MB (more recommended)

Screen Resolution
1024x768 (1280x1024 or more recommended)

APPLE MAC

Operating System
OSX (10.4.11 or later, including 10.5)

Computer
Apple Macintosh with FireWire 400 port (or 800 port with 800 to 400 adaptor)

CPU/Clock
PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac

Memory (RAM)
512 MB (more recommended)

Screen Resolution
1024x768 (1280x1024 or more recommended)

Your Recently Viewed Items

click to view next item

HP We Recommend

  1. Tascam US-122Mk2 Audio Interface

    £103.48

    €113.82

  2. XLRma-XLRfe Lead Economy 5M

    £4.12

    €4.53

  3. Neutrik XLR Female 3 Pin NC3FXX

    £2.83

    €3.11

  4. Studiospares Active DI Box

    £21.40

    €23.54

  5. Numark Headphones HF125

    £5.89

    €6.47

News

  • Back In Stock- Studiospares Auditorium 312B

    The Studiospares Auditorium 312B is back in stock. This high quality speaker will not leave you disappointed. It is powerful and reasonably priced. It was designed so that it would be light in weight which makes transportation easier. Get yours today!!!

  • New In Stock - Studiospares RED500 Series

    The new RED 500 series problem solving boxes are now in stock. Some very useful and gig worthy little red boxes that would be a good addition to any sound engineer's gig bag.

    Red 500 Series

    Available in the RED 500 series are -

    Studiospares RED501 Microphone Preamp (Code - 458200)
    Studiospares RED502 Bi-Directional Bal/Unbal Convertor (Code - 458210)
    Studiospares RED503 Passive Line Combiner (Code - 458220)
    Studiospares RED504 Microphone Combiner (Code - 458230)
    Studiospares RED505 Line Splitter (Code 458240)
    Studiospares RED506 Microhpone Splitter (Code - 458250)

  • ****SPECIAL OFFER On Product Of The Week****

    Let’s have a big welcome to Adam James who is doing his very first Product Of The Week! Read on and you’ll see from this superb recommendation why the Trojan Mk11 3U ABS is worthy of being Product Of The Week. This is what he has to say “The Trojan Mk11 3U ABS Cases are even tougher and more robust than their predecessors whilst retaining all the original features which make these cases so popular. The cases are thicker, they sport tension springs which increase drawbolt tension and the aluminium is now plated after it is bent which prevents that irritating aluminium discolouration. I’ve been happily shifting my stuff around in the 3U. I’m not going to find a better quality case anywhere near this price range.” That’s not all, yes you can get a massive 5% off the Trojan Mk11 3U ABS until 17th March.

  • Behringer Are Moving On Up!

    Behringer are ready to take over the audio world after announcing their ambitions to expand in the installation market under their new division Behringer Install Group (BIG) whilst simultaneously, revealing their newly created range of installed sound products. The focus is to craft an industry group that deals specifically with a very specialised market, with particular focus on restaurants, retail houses of worship and conference markets. With their innovative and well constructed products, Behringer are sure to do well!

  • RED100 Vs sE Reflexion an Independent Comparison

    We have been asked many times by customers how the RED100 compares to the sE Reflexion filter, we gave one of each to Mark Davies, an independent Producer / Engineer to test and send us back the results, below is his response.

    sTu

    SE Electronics Reflexion Filter vs Studiospares RED 100

    So how does the RED 100 compare to the SE Reflexion Filter despite it being less than half the price?

    I recently did some tests in my notoriously difficult studio. The same singer, mic, pre-amp and convertors were used to keep everything on a level playing field. After the recording lots of compression was applied, the same amount on all of the files so that the differences is a bit more noticeable.

    Setting up: The SE filter features a complex mechanism to attach the filter to the mic stand which took a good 20 minutes to figure out and put in place, having no instructions to hand!. However, the RED100 was on and secure in minutes. Also, whilst the Reflextion filter is a fixed shape, the RED100 is hinged at the middle allowing you to vary the 'size' of the space. This could also prove useful for instrument recording.

    The results: There are three audio files (below) which are recordings with no filter, Reflextion Filter and the RED100. The recording with no filter shows up the thin, 'glassy' sound of the room. Interestingly however, both the Reflextion Filter and RED100 sound almost identical.

    Conclusion: It is hard to justify spending over twice the money on the Reflexion Filter, even though it is a slightly sturdier construction. The setup time, adjustability and ease of portability of the RED100 make this an easy decision.

    Audio Files -

    No Filter

    sE Electronics Reflexion Filter

    Studiospares RED100

    Product Links -

    sE Electronics Reflexion Filter - Product Code 422110



    Studiospares RED100 - Product Code 465160

     

     

Search

Search Criteria
While Stock Lasts

Newsletter

Sign up for Newsletter
Enquiry...?
Delivery Info
Price Match
Lead Finder
Did You Know?