Focusrite Plug-in Suite

The Focusrite Plug-In Suite provide the perfect upgrade from your standard sequencer effects with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins...

Product Code: 389670

Detail

The Focusrite Plug-In Suite produced by the same team that who developed Novation's nio FX rack and Saffire PRO 40 Control.

The Focusrite Plug-In Suite provide the perfect upgrade from your standard sequencer effects with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins, for use in the mix.

Each plug-in has a host of pre-sets that provide a reasonable starting point, delivering suitable solutions for the chosen sound source. Having selected a preset, you can then go on to finely tune these settings.

The compressor and gate have been modeled on the Focusrite's hardware devices, using the measurement of custom optos to achieve the signature Focusrite sound. With the same signature as the original Focusrite EQ curves. Focusrite's R&D team used state-of-the-art numerical transform techniques to create an authentic response across the entire audible frequency spectrum for this software EQ. The Reverb is based on classic algorithmic studio reverb designs.

System Requirements -

* Mac OS: Power PC G4/G5 or Intel Mac, Mac OS 10.4.11 or higher, 512 MB RAM, XVGA [High Colour 1024x768]
* Windows: Windows XP* or Vista (All Versions), Pentium III 600 MHz CPU or faster, 512 MB RAM, XVGA [High Colour 1024x768]
* Supported Formats: VST, Audio Unit

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RED100 Vs sE Reflexion an Independent Comparison

We have been asked many times by customers how the RED100 compares to the sE Reflexion filter, we gave one of each to Mark Davies, an independent Producer/Engineer to test and send us back the results, below is his response.
SE Electronics Reflexion Filter vs Studiospares RED 100

So how does the RED 100 compare to the SE Reflexion Filter despite it being less than half the price?

I recently did some tests in my notoriously difficult studio. The same singer, mic, pre-amp and convertors were used to keep everything on a level playing field. After the recording lots of compression was applied, the same amount on all of the files so that the differences is a bit more noticeable.

Setting up: The SE filter features a complex mechanism to attach the filter to the mic stand which took a good 20 minutes to figure out and put in place, having no instructions to hand!. However, the RED100 was on and secure in minutes. Also, whilst the Reflextion filter is a fixed shape, the RED100 is hinged at the middle allowing you to vary the 'size' of the space. This could also prove useful for instrument recording.

The results: There are three audio files (below) which are recordings with no filter, Reflextion Filter and the RED100. The recording with no filter shows up the thin, 'glassy' sound of the room. Interestingly however, both the Reflextion Filter and RED100 sound almost identical.

Conclusion: It is hard to justify spending over twice the money on the Reflexion Filter, even though it is a slightly sturdier construction. The setup time, adjustability and ease of portability of the RED100 make this an easy decision.

Audio Files -

No Filter

sE Electronics Reflexion Filter

Studiospares RED100

Product Links -

sE Electronics Reflexion Filter - Product Code 422110

Studiospares RED100 - Product Code 465160