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M Audio Pulsar ii Condenser Mic

M AUDIO PULSAR II PENCIL CONDENSER MIC The redesigned Pulsar II small-diaphragm cardioid condense...

Product Code: 373070

£99.70 ex VAT

£99.70

£99.70


Multiple-Buy Savings

2+ items just £96.80 each ( inc VAT)



M AUDIO PULSAR II PENCIL CONDENSER MIC The redesigned Pulsar II small-diaphragm cardioid condenser microphone takes M-Audio`s pencil condenser technology to an even higher level. Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, this precision microphone exhibits quality comparable to that of vintage classics. New features like -10dB pad and 80Hz high-pass filter switches, higher SPL than the original and a redesigned solid-brass backplate deliver smooth, accurate sound in the studio and on stage. The Pulsar II has many applications, including drum overheads, acoustic guitar, piano, close-miking strings and woodwinds, room miking and more. Features - * professional small-capsule condenser microphone * 3/4", 6-micron Mylar evaporated gold diaphragm > sensitive and accurate * solid brass backplate, natural, transparent sound * Class-A FET electronics, low distortion * switchable 10dB pad and 80Hz high-pass filter
* diaphragm : 3/4" diameter, 6-micron Mylar * backplate : solid brass * electronics : Class-A FET (transformerless) * frequency response : 20Hz-20kHz * sensitivity : -37dB @ 1kHz, 0dB=1V/Pa (13.8 mV/Pa) * max SPL : 134dB at 0.5% THD, 144dB with 10dB pad * equivalent noise : 16dBA * pattern : cardioid

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  • RED100 Vs sE Reflexion an Independent Comparison

    We have been asked many times by customers how the RED100 compares to the sE Reflexion filter, we gave one of each to Mark Davies, an independent Producer / Engineer to test and send us back the results, below is his response.

    sTu

    SE Electronics Reflexion Filter vs Studiospares RED 100

    So how does the RED 100 compare to the SE Reflexion Filter despite it being less than half the price?

    I recently did some tests in my notoriously difficult studio. The same singer, mic, pre-amp and convertors were used to keep everything on a level playing field. After the recording lots of compression was applied, the same amount on all of the files so that the differences is a bit more noticeable.

    Setting up: The SE filter features a complex mechanism to attach the filter to the mic stand which took a good 20 minutes to figure out and put in place, having no instructions to hand!. However, the RED100 was on and secure in minutes. Also, whilst the Reflextion filter is a fixed shape, the RED100 is hinged at the middle allowing you to vary the 'size' of the space. This could also prove useful for instrument recording.

    The results: There are three audio files (below) which are recordings with no filter, Reflextion Filter and the RED100. The recording with no filter shows up the thin, 'glassy' sound of the room. Interestingly however, both the Reflextion Filter and RED100 sound almost identical.

    Conclusion: It is hard to justify spending over twice the money on the Reflexion Filter, even though it is a slightly sturdier construction. The setup time, adjustability and ease of portability of the RED100 make this an easy decision.

    Audio Files -

    No Filter

    sE Electronics Reflexion Filter

    Studiospares RED100

    Product Links -

    sE Electronics Reflexion Filter - Product Code 422110



    Studiospares RED100 - Product Code 465160

     

     

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