Edirol UA-25EX USB Interface

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An improved version of the original Edirol UA25...

Product Code: 369460

Detail
Specification

An improved version of the original Edirol UA25

Rugged, compact, and feature-filled, the Edirol UA-25EX is a portable-interface powerhouse.

The Edirol UA-25EX is ideal for computer-based audio engineers who appreciate mobility. The 24bit/96kHz Edirol UA-25EX USB audio interface is equipped with pro-grade microphone preamps, a newly-developed analog compressor/limiter, and ground-lift functionality for studio and stage.

The UA-25EX features a newly-developed analog compressor with variable attack times and threshold control for smooth capture of vocals or dynamic instruments. The accompanying limiter prevents input clipping from occurring so you’ll never lose those perfect takes.

Included with the UA-25EX is the Production Plus Pack from Cakewalk by Roland, a feature-rich recording software bundle consisting of SONAR LE, Project 5 LE, and Dimension LE for PC-based recording. The CD-ROM also includes the latest ASIO, WDM, and MME drivers for Windows XP and Vista (32-bit versions), plus CoreAudio drivers for Mac OSX.

Features :

* High-resolution 24bit/96kHz performance with pro-grade mic preamps
* Onboard analog compressor/limiter with variable attack times and threshold control
* USB bus powered, low-noise, wide-range power supply
* Two mic preamps and XLR/TRS combo jacks with 48V phantom power, Hi-Z port for guitar-direct connection, S/PDIF optical I/O, MIDI in/out
* Ground lift for studio and live stage use
* Bundled with Production Plus Pack from Cakewalk By Roland
* Dimensions: 164 mm X 133 mm X 64 mm
* Weight: 0.6 kg

Soundcard Type:USB
MIDI I/O:YES
No. Analogue Inputs:2
No. Analogue Outputs:2

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RED100 Vs sE Reflexion an Independent Comparison

We have been asked many times by customers how the RED100 compares to the sE Reflexion filter, we gave one of each to Mark Davies, an independent Producer/Engineer to test and send us back the results, below is his response.
SE Electronics Reflexion Filter vs Studiospares RED 100

So how does the RED 100 compare to the SE Reflexion Filter despite it being less than half the price?

I recently did some tests in my notoriously difficult studio. The same singer, mic, pre-amp and convertors were used to keep everything on a level playing field. After the recording lots of compression was applied, the same amount on all of the files so that the differences is a bit more noticeable.

Setting up: The SE filter features a complex mechanism to attach the filter to the mic stand which took a good 20 minutes to figure out and put in place, having no instructions to hand!. However, the RED100 was on and secure in minutes. Also, whilst the Reflextion filter is a fixed shape, the RED100 is hinged at the middle allowing you to vary the 'size' of the space. This could also prove useful for instrument recording.

The results: There are three audio files (below) which are recordings with no filter, Reflextion Filter and the RED100. The recording with no filter shows up the thin, 'glassy' sound of the room. Interestingly however, both the Reflextion Filter and RED100 sound almost identical.

Conclusion: It is hard to justify spending over twice the money on the Reflexion Filter, even though it is a slightly sturdier construction. The setup time, adjustability and ease of portability of the RED100 make this an easy decision.

Audio Files -

No Filter

sE Electronics Reflexion Filter

Studiospares RED100

Product Links -

sE Electronics Reflexion Filter - Product Code 422110

Studiospares RED100 - Product Code 465160