Designed principally as an affordable, high-specification dual mono/stereo tracking device, TT Pro also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis. Each channel features Focusrite`s award-winning Platinum pre amp, embellished with the option of instant `air` and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambience The TT Pro also contains a powerful dual mono/stereo optical compressor. This optical compressor features Focusrite`s custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true `twinned` stereo pair. These circuit design innovations are complemented by a comprehensive set of focussed controls. TT Pro is the first Platinum to feature a D/A converter as standard, alongside its optional analogue to digital converter. The D/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the pre amp stage) for further processing. The signal can then return to the digital audio workstation via Focusrite`s established stereo A/D converter option. These facilities make TT Pro the perfect analogue interface for any digital audio workstation. Features include: * 2 award-winning Class A discrete transistor-based pre amps * Dual mono/stereo optical compressor, featuring custom fast-acting optos * Latency free monitoring with total control over balance, effects, mix and monitor levels * 24 bit/192 kHz D/A fitted as standard, for processing digital signals or feeding digital signals into the monitoring path * An optional 24 bit/96kHz A/D. Both the A/D and the D/A feature wordclock (BNC) * Inductor-induced "Air" opens up high frequencies like an expensive transformer-balanced pre amp * Variable impedance for improved microphone performance and extended creativityv * Mid scoop EQ for correcting problematic mid frequencies * Direct inputs on the front fascia for both instruments (Jack) and microphones (XLR) * Post pre amp inserts and compressor side-chain inserts, for enhanced processing flexibility * 2 ocean blue peak-reading meters, innately beautiful and ideal for catching fast transients