SKB Gig Rig 191010 Roto

SKB GIG RIG The Gig Rig is an ideal transportation system for your pro audio gear. The Gig Rig w...

Product Code: 406750

Detail

SKB GIG RIG The Gig Rig is an ideal transportation system for your pro audio gear. The Gig Rig was built with movement in mind. The two 5" diameter wheels in the rear enable you to rock it back and pull it up curbs and ramps. Upfront, it has 10U space for amplifiers and signal processors. On top it holds a perfectly angled rackmount for your mixing console. Designed with plenty of space inside for carrying additional cables and power lines the Gig Rig gets you ready to play right away! A door in the back allows full and easy access to all wiring. Under the Gig Rig, on both sides, you ll find molded-in recesses for comfortable lifting and carrying. Roto-molded with HDPE Polyethylene to make it incredibly strong and last almost forever. It weighs just 23kg; a lot less than those plywood and steel crates. Stacks securely with SKB rackmount cases or check out the 6U Roto Roller (Code 406-770). Mounting hardware in the racks is easy with the SKB rack rail and provided hardware. Doesn`t have rear rack strips. Exterior Dimensions: 572mmW x 620mmD x 708mmH(add 127mmH with wheels). SKB19-1010.

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RED100 Vs sE Reflexion an Independent Comparison

We have been asked many times by customers how the RED100 compares to the sE Reflexion filter, we gave one of each to Mark Davies, an independent Producer/Engineer to test and send us back the results, below is his response.
SE Electronics Reflexion Filter vs Studiospares RED 100

So how does the RED 100 compare to the SE Reflexion Filter despite it being less than half the price?

I recently did some tests in my notoriously difficult studio. The same singer, mic, pre-amp and convertors were used to keep everything on a level playing field. After the recording lots of compression was applied, the same amount on all of the files so that the differences is a bit more noticeable.

Setting up: The SE filter features a complex mechanism to attach the filter to the mic stand which took a good 20 minutes to figure out and put in place, having no instructions to hand!. However, the RED100 was on and secure in minutes. Also, whilst the Reflextion filter is a fixed shape, the RED100 is hinged at the middle allowing you to vary the 'size' of the space. This could also prove useful for instrument recording.

The results: There are three audio files (below) which are recordings with no filter, Reflextion Filter and the RED100. The recording with no filter shows up the thin, 'glassy' sound of the room. Interestingly however, both the Reflextion Filter and RED100 sound almost identical.

Conclusion: It is hard to justify spending over twice the money on the Reflexion Filter, even though it is a slightly sturdier construction. The setup time, adjustability and ease of portability of the RED100 make this an easy decision.

Audio Files -

No Filter

sE Electronics Reflexion Filter

Studiospares RED100

Product Links -

sE Electronics Reflexion Filter - Product Code 422110

Studiospares RED100 - Product Code 465160