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Fostex FR2 Location Recorder

Fostex FR-2 The new Fostex FR2 has been designed specifically for location sound recording; high ...

Product Code: 219250

£753.00 ex VAT

£753.00

£753.00




Fostex FR-2 The new Fostex FR2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required. With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features. Features: * Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format * Up to 24-bit/192kHz uncompressed recording * Includes a unique 22.05kHz sampling frequency setting for extended recording * Records to both Type II CompactFlash? cards and PCMCIA 1.8` hard disk drives*1 * Fostex`s `File per Take` system with auto scene & take naming/increment * Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps * 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field * Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card * Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2 * Quick and easy on-board file naming or via external keyboard through standard USB keyboard port * `Pre-record` loop buffer of approximately 10 seconds*3 * Easy software update via CF or PCMCIA card with downloads from the internet * Optional timecode generator / reader card Notes *1 May require software update for PCMCIA HD operation *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher *3 Varies depending on sampling frequency"

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  • RED100 Vs sE Reflexion an Independent Comparison

    We have been asked many times by customers how the RED100 compares to the sE Reflexion filter, we gave one of each to Mark Davies, an independent Producer / Engineer to test and send us back the results, below is his response.

    sTu

    SE Electronics Reflexion Filter vs Studiospares RED 100

    So how does the RED 100 compare to the SE Reflexion Filter despite it being less than half the price?

    I recently did some tests in my notoriously difficult studio. The same singer, mic, pre-amp and convertors were used to keep everything on a level playing field. After the recording lots of compression was applied, the same amount on all of the files so that the differences is a bit more noticeable.

    Setting up: The SE filter features a complex mechanism to attach the filter to the mic stand which took a good 20 minutes to figure out and put in place, having no instructions to hand!. However, the RED100 was on and secure in minutes. Also, whilst the Reflextion filter is a fixed shape, the RED100 is hinged at the middle allowing you to vary the 'size' of the space. This could also prove useful for instrument recording.

    The results: There are three audio files (below) which are recordings with no filter, Reflextion Filter and the RED100. The recording with no filter shows up the thin, 'glassy' sound of the room. Interestingly however, both the Reflextion Filter and RED100 sound almost identical.

    Conclusion: It is hard to justify spending over twice the money on the Reflexion Filter, even though it is a slightly sturdier construction. The setup time, adjustability and ease of portability of the RED100 make this an easy decision.

    Audio Files -

    No Filter

    sE Electronics Reflexion Filter

    Studiospares RED100

    Product Links -

    sE Electronics Reflexion Filter - Product Code 422110



    Studiospares RED100 - Product Code 465160

     

     

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