GIGAPORT HD provides ASIO 2.0 and GSIF drivers for professional audio mixing and playback under Windows XP and Windows Vista. The hardware is also CoreAudio compatible and nativly works under Mac OS X even without the installation of a special driver.
This makes GIGAPORT HD perfect for digital DJs on the road working with notebook computers. Simply use your favorite DJ software and GIGAPORT HD's eight outputs as up to 4 different stereo channels, enabling you to mix, cue and add effects! Monitor and pre-listen to your signals via the two built-in headphone outputs. GIGAPORT HD of course also works on your desktop computer and is compatible with all important professional audio software applications like Cubase, Sonar or Logic. The hardware also works with consumer programs such as DVD playback software.
Features
* 24-bit / 96kHz D/A converter
* 8 independent output channels with RCA connectors
* different playback modes: 44.1kHz with 16-bit and 8 channels, 44.1kHz with 24-bit and 6 channels, 48kHz with 24-bit and 6 channels, 96kHz with 24-bit and 2 channels
* 2 independent stereo headphone outputs: 1st output sends out mixed signal of all playback channels, 2nd output sends out different signal from playback channel 1/2 - perfect for monitoring and to pre-listen to signals
* compatible with Windows XP and Windows Vista supporting ASIO 2.0, WDM, GSIF, MME (using ESI's EWDM driver technology)
* compatible with Mac OS X and supported by the native CoreAudio USB audio support from Apple, no special driver installation required
£97.30 + VAT
€107.03
£94.20 + VAT
€103.62
£416.17 + VAT
€457.78
£10.75 + VAT
€11.82
£99.70 + VAT
€109.67
£103.48
€113.82
£4.12
€4.53
£2.83
€3.11
£21.40
€23.54
£5.89
€6.47
The industry leading AKG C414 has dropped in price. Yes that’s right, previously £479 it is now £416.17, a grand saving of £62.83! The C414 looks amazing and sounds great. It has been carefully designed to maintain the legendary sonic character of the C414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments. With its high sensitivity and extremely low self noise, it also works a treat when an accurate, beautifully detailed pickup of any acoustic instrument is required.
Are you after a short, strong, sturdy mic stand? Well you are luck. The Studiospares Short Boom Stand is back in stock. Order yours today and it coud be with you tomorrow.
Do you enjoy experimenting with your voice, well the VL3D offers much potential! Featuring 3-part harmonies using breakthrough musIQ technology, and single level programmability amongst many other features, the VL3D will not let you down!
This brand spanking new webcam with HD quality audio and video is now in stock!!! The most amazing thing about the Eyeball is not its affordability, because lets face it, it’s a great bargain. The most amazing thing, is in fact, what the Eyeball can do, it has pioneering retractable camera lens that maintains your privacy and ensures that the Eyeball turns itself off when you aren’t broadcasting. So, if you forget to turn Eyeball of, there is nothing to worry about, you won’t be the unassuming victim of YouTube. Its pro quality condenser capsule, enables it to give off a superior sound and its custom designed monitor adaptor makes it simple to position it on virtually any laptop or desktop monitor. They are sure to go quickly so order now!
We have been asked many times by customers how the RED100 compares to the sE Reflexion filter, we gave one of each to Mark Davies, an independent Producer / Engineer to test and send us back the results, below is his response.
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SE Electronics Reflexion Filter vs Studiospares RED 100
So how does the RED 100 compare to the SE Reflexion Filter despite it being less than half the price?
I recently did some tests in my notoriously difficult studio. The same singer, mic, pre-amp and convertors were used to keep everything on a level playing field. After the recording lots of compression was applied, the same amount on all of the files so that the differences is a bit more noticeable.
Setting up: The SE filter features a complex mechanism to attach the filter to the mic stand which took a good 20 minutes to figure out and put in place, having no instructions to hand!. However, the RED100 was on and secure in minutes. Also, whilst the Reflextion filter is a fixed shape, the RED100 is hinged at the middle allowing you to vary the 'size' of the space. This could also prove useful for instrument recording.
The results: There are three audio files (below) which are recordings with no filter, Reflextion Filter and the RED100. The recording with no filter shows up the thin, 'glassy' sound of the room. Interestingly however, both the Reflextion Filter and RED100 sound almost identical.
Conclusion: It is hard to justify spending over twice the money on the Reflexion Filter, even though it is a slightly sturdier construction. The setup time, adjustability and ease of portability of the RED100 make this an easy decision.
Audio Files -
sE Electronics Reflexion Filter
Product Links -
sE Electronics Reflexion Filter - Product Code 422110

Studiospares RED100 - Product Code 465160
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